Archive for the ‘Audio’ Category


I have been drawing up some lesson plans designed to fit with the concept of cybersomatics:  information and exercises which bring more consciousness to the balance between the right and left sides.  I thought they might be of interest to some of my friends.

Lesson One:  Introduction to Ritual Time

Suggestion:  On Youtube, watch the Sioux Dance filmed in 1894 by Thomas Edison.

More information:   Mircea Eliade’s “The Sacred and the Profane.”

A ritual is Sacred Space, or Sacrum in Latin.  It was originally the space surrounding a temple.  In the body, the Sacrum is the triangular bone at the bottom of the spinal column, from where the hips pivot, allowing the body to move in any direction.

You open the ritual by some conscious decision:  You might for example bathe yourself and put on special clothing.  This signals your intent.  The  beginning of the ritual is a signal to yourself that until you end the ritual, you keep everything outside which is not part of the ritual.

You stay inside this space, as sacred space, until you consciously end the ritual.

When you come back to the ritual, the energy you put into the first ritual will still be there.  As you do the ritual more there will be progressively more of the specific energy you are putting into it.  This Sacred Time ritual is the basis for rituals such as the Sioux Dance referenced above.  They are considered to be outside of profane, or linear, time.  In tribes, the dance ritual is always the same and the energy extends over generations.  The idea is that because you go into a timeless state while doing the ritual, the ritual exists outside time.  So when you go back to it, you are in the same space as your ancestors when they did the same dance with the same care.  The same theory applies to rituals one creates and practices on one’s own.

Here is a sample of a body awareness ritual:

1.  Practice being present in the sacrum, noting how it is the pivotal point of the body.  Feel your muscles and release any that are holding against gravity.  Close your eyes and imagine gravity as a waterfall of energy coming down and you are going with the flow. To provide a reference or balance, point, imagine you are suspended by a string from above.  Using the imagination, pretend that the left and right side are perfectly balanced on each side of the fulcrum.

2.  Begin to imagine one side heavier than the other.  Pretend the right arm is made of lead.  Then slowly, very slowly, shift the weight into the left arm so that the right grows  lighter and lighter as the left grows heavier.  Once you have begun to feel how to operate muscles from your imagination,  try imagining that an invisible wire is lifting up on the lighter arm as the weight goes out of it, and it will lift all by itself as you get more focused into the process.

Notice:  Muscles can do just two things.  They can contract and extend.  When you imagine the arm to be heavy,  muscles extend.  When you imagine it light, they contract.  Imagine it light enough and it will float in the air like a balloon.   Practice moving at a very slow rate, which is the speed of the unconscious.  The way to do this is to use the respiration as the rhythm, or tempo, and begin to move the energy in the body with the imagination.  This brings consciousness into the body, or to put it another way, it brings spirit into matter.

Now be aware of the connection between the Sacrum and the base of the brain as being a snake, one which over a great deal of time evolved into all the different kinds of mammals, connected by their having a vertebral column.  As you use your imagination to become more conscious of the snake at the center of your physical body, consider why a serpent was considered evil in the Bible.   What was it that caused the left brain to become so powerful that the hand it controlled was called “Right”?   (The serpent was reviled because it was the power symbol of the old matriarchal societies.  The left, patterning brain rose to power with the invention of the alphabet.  As the alphabet moved from one culture to the next, it was accompanied by a myth of a hero slaying a serpent.  Without the alphabet there would not have been the facility to write and distribute law and demand mass compliance, and no basis for monotheism.)

Jim and I, and his nephew, Mark, went for a hike to the top of Nevada Falls, in Yosemite.  It was a running gag that I was using a Jonathan Winters voice sometimes, calling him, “Buddy,” as in, “Buddy, don’t leave us out here to die, Buddy.”  He fell behind us and I thought maybe he’d decided to just relax or head back to start dinner.

As we were standing looking out from the crest of the falls, he missed the split in the trail and just kept on climbing toward Half Dome.  The next night around the campfire I was making up a song about our adventures, and he said, “We ought to write that down.”  I didn’t write it down and it was a one time performance.  But I told him I’d write “The Ballad of Buddy” when we got home, and here it is.  A great trip, guys, and a ton of fun.

This is the third act of Trophy Room.

This is the second of three acts of Trophy Room.

I am continuing moving some of the Ash Fork segments to audio. This one is in three acts, this is the first.

This is from the third Ash Fork series of vignettes, and centers on the art of healing; more specifically, Phineas Parkhurst Quimby, who was Mary Baker Eddy’s body worker. It was from Quimby that she learned much of what she put into her book on Christian Science, which led to her being one of the richest people in the country if not the world. Of course she did not have ears to hear some of what Quimby was saying.

(Adapted as a reading from “Rough Beast” first printed in the third Ash Fork series in August 2005)

Moving into Space requires adaptation to parallel processing. Time is a logical sequence, and there are lots of them. Mostly they’re all screened out except the one being followed, to protect the system. But when the injectables hit the system it blasts off into Space, and all bets are off. Like Handsome Jack jilting Marie Laveaux, Luther took the dowry and split to Space in violation of contract.

(Road Kill: Adapted for reading from an earlier Ash Fork vignette)

A native religion is the soil in which native people grow. It enters through the bottoms of the feet, gradually absorbing foreign religions transplanted from foreign soil. Ash Fork is outside Oz (the Organic Zone). It’s a sentient field in Space, and the ground from which native religion grows is an instrument played with conscious intention by Count Bergamo.

(Adapted for reading from a December 2005 Ash Fork: Native Religion)

Social life among the Ash Fork clones is complex, because they are a combination of human design and processes, injected with DNA computers. DNA computing as it exists would be fairly slow, but this is in a future where they have been integrated into the tissue of the Ash Fork clones in vitro. The clones are the evolution of humans into Space. Some of them are eccentrics.

(Adapted as a reading from an October, 2007, Ash Fork vignette entitled “Mary Magdalen”)

The first law of cybernetics is that the system with the widest parameters is the controlling system. That’s why narrow systems tend toward violence. Their only hope of establishing themselves as the containing system is to put everybody else in a prison of some sort. The Priority Chip installed in every clone sent into space is a kind of prison. But nothing has wider parameters than a sentient emptiness which remains when all programs collapse.

(Between the Tracks: adapted as a reading from a November, 2007 Ash Fork vignette)

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